Mexico Botanica (2024) Work In Progress.

During my residency at Casa Lü in Mexico City, I embarked on a focused phase of material exploration, deeply integrating the region’s ecology, culture, and geological characteristics into my work. This residency allowed me to further hone my skills in selecting and working with materials that reflect both the natural world and the cultural context in which they were found. The objects created during this time are part of an evolving body of work that bridges traditional craftsmanship with contemporary material innovation.

As a designer and artist, I have a profound passion for material research—understanding the inherent qualities of each material and how it connects to both the environment and cultural heritage. In Mexico, I worked with a diverse range of materials including locally sourced clay, stone, metal wire, recycled glass, cement, pigments, and other natural resources, carefully chosen for both their aesthetic and symbolic significance. These materials allowed me to explore the intricate relationship between nature and human craftsmanship, leading to objects that are as much about the materials themselves as they are about the final form.

My approach to material selection is rooted in an in-depth understanding of their functional properties, cultural relevance, and ecological impact. This allows me to work within diverse design practices, whether in sculpture, interior design, or product design, with a keen ability to recommend and experiment with materials that bring out the most innovative and sustainable outcomes.

Throughout my career, I have continually sought to expand my knowledge of materials by collaborating with artists, designers, and craftsmen across the globe. This ongoing material exploration is not only fundamental to my work but also positions me as an expert in advising on material selection and application for creative projects. My aim is to create works that foster a deeper understanding of materials, while pushing the boundaries of what is possible with them—whether in art, design, or architecture.

This journey of research and experimentation continues as I engage with new environments, bringing both theoretical and practical knowledge of materials to diverse design projects that require a nuanced understanding of how materials shape our interaction with the world.